雅楽 GAGAKU

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  • Geographical spread: The regional spread of gagaku and the warrior class
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InfluenceGeographical spread

Transmission of the gagaku tradition to regional centers by military leaders

Miyajima and Kamakura

In the 12th to 13th century, from the end of the Heian into the Kamakura period, the power of the noble class waned, and the warrior class gained strength. This was a time when gagaku was at its strongest in court society. Warriors of the Heike (Taira) clan, the first of the warrior clans to gain power at court, studied gagaku as part of court culture, and some, such as the lute (biwa) player Taira no Tsunemasa, were so proficient that they were regarded as masters. Taira no Kiyomori, the leader of the clan, introduced bugaku dance into ceremonies celebrated at Itsukushima Jinja on Miyajima, and the shrine continues this tradition today.

The military Genji (Minamoto) clan, too, invested in gagaku performance. The clan leader Minamoto no Yoritomo established a Court Music Office at Tsurugaoka Hanchimangū in Kamakura, and summoned court musicians from the capital Kyoto to staff it. At ceremonies held there, boys from Hakone and Izusan shrines danced children’s dances. Kangen instrumental performances were held aboard boats close to the Kamakura coast.

Although gagaku is a product of the court society of the Heian period (9th to 12th centuries), it was also cultivated and protected by the military rulers of succeeding periods.

清盛の夢を伝える一子相伝の舞楽 嚴島神社武士の都で花開いた雅楽 鶴岡八幡宮
Bugaku dance passed from father to son, a remnant of the ambitions of Taira no KiyomoriItsukushima Jinja1-1 Miyajima-chō, Hatsukaichi-shi, Hiroshima Prefecture
<em>Ryōō</em> performed at the Ichitate-sai (July)

Ryōō performed at the Ichitate-sai (July)

<em>Batō</em> performed at the <em>Chi<em>kyū</em></em>sai

Batō performed at the Chikyūsai

Itsukushima Jinja, the famous shrine of Miyajima, is known for its impressive architecture. Its bugaku tradition dates from the 12th century. When Taira no Kiyomori (1118–1181) was appointed Aki no Kami (Governor of Aki province) in 1146, he began to sponsor performances here with the cooperation of musicians and dancers from the capital, Kyoto. Bugaku performances are given several times throughout the year on the stage that extends over the water on the seafront side of the main shrine building, with the famous red torii (shrine gate) standing in the shallows in the background. Two events worth a special visit are the Tōka-sai (April 15) and Kikka-sai (October 15), which celebrate the peach blossoms of spring and the chrysanthemums of autumn with performances of 11 dance pieces in the light of the setting sun. Another important event is the Chikyūsai of January 5, when the dance Batō is performed so early in the morning that it is given the alternative name Hinode no mai (‘sunrise dance’). The dance has been passed down from father to son in the Nosaka family of shrine priests since the 16th century. The mingling of the sounds of the gagaku instruments with the sounds of the water makes performances of gagaku at Itsukushima Jinja unique. This can also be appreciated at the Kangensai, held on the date that corresponds to the 17th day of the 6th lunar month, when kangen instrumental music is performed on a special boat (gozabune).

(Photographs by Shintani Kōichi)

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Gagaku that flourished at a military capitalTsurugaoka Hachimangū2-1-31 Yuki-no-shita, Kamakura-shi, Kanagawa Prefecture
Gochinza Kinensai (ceremony commemorating the founding of the shrine)

The Kamakura shrine Tsurugaoka Hachimangū is associated with the Minamoto (or Genji) clan of the Kamakura shogunate. Its gagaku tradition began with the shogunate itself, when its founder, Minamoto no Yoritomo, summoned the Kyoto musician Ōno Yoshikata to Kamakura. A Court Music Office was set up for the performance of gagaku in religious ceremonies. Its influence eastern Japan was wide, reaching even centers in the far north of Honshu. At present, gagaku performance is one of three traditional practices that distinguish Tsurugaoka Hachimangū, the other two being yabusame (horseback archery) and sumai (sumo wrestling). During the Gochinza Kinensai (ceremony commemorating the founding of the shrine) on December 16, mikagura is performed on the northern side of the Maiden (‘dance pavilion’), an open pavilion in the center of the area south of the steps up to the main shrine building. Illuminated by firelight, shrine priests sing the piece Miyabito, after which 4 shrine maidens dance. Dance by shrine maidens cannot be seen in the imperial mikagura performance tradition, and is unique to this shrine. Bugaku dances are performed on other occasions, such as the Iris Festival of May 5 (known traditionally as the Tango no Sekku, or Boys’ Festival).

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